Chapter 67 - CUTTING IN



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Herman Melville was the author of a story about what we'd now consider an illegal activity, the commercial hunting of whales for oil and meat. Whaling is still carried out by Japan, Iceland and Canada, among other nations, though most nations voluntarily abstain in the interests of conserving these magnificent animals - as per International Whaling Commission guidelines.


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CHAPTER 67. Cutting In

It was a Saturday night, and such a Sabbath as followed! Ex officio professors of Sabbath breaking are all whalemen. The ivory Pequod was turned into what seemed a shamble; every sailor a butcher. You would have thought we were offering up ten thousand red oxen to the sea gods.

In the first place, the enormous cutting tackles, among other ponderous things comprising a cluster of blocks generally painted green, and which no single man can possibly lift—this vast bunch of grapes was swayed up to the main-top and firmly lashed to the lower mast-head, the strongest point anywhere above a ship's deck. The end of the hawser-like rope winding through these intricacies, was then conducted to the windlass, and the huge lower block of the tackles was swung over the whale; to this block the great blubber hook, weighing some one hundred pounds, was attached. And now suspended in stages over the side, Starbuck and Stubb, the mates, armed with their long spades, began cutting a hole in the body for the insertion of the hook just above the nearest of the two side-fins. This done, a broad, semicircular line is cut round the hole, the hook is inserted, and the main body of the crew striking up a wild chorus, now commence heaving in one dense crowd at the windlass. When instantly, the entire ship careens over on her side; every bolt in her starts like the nail-heads of an old house in frosty weather; she trembles, quivers, and nods her frighted mast-heads to the sky. More and more she leans over to the whale, while every gasping heave of the windlass is answered by a helping heave from the billows; till at last, a swift, startling snap is heard; with a great swash the ship rolls upwards and backwards from the whale, and the triumphant tackle rises into sight dragging after it the disengaged semicircular end of the first strip of blubber. Now as the blubber envelopes the whale precisely as the rind does an orange, so is it stripped off from the body precisely as an orange is sometimes stripped by spiralizing it. For the strain constantly kept up by the windlass continually keeps the whale rolling over and over in the water, and as the blubber in one strip uniformly peels off along the line called the "scarf," simultaneously cut by the spades of Starbuck and Stubb, the mates; and just as fast as it is thus peeled off, and indeed by that very act itself, it is all the time being hoisted higher and higher aloft till its upper end grazes the main-top; the men at the windlass then cease heaving, and for a moment or two the prodigious blood-dripping mass sways to and fro as if let down from the sky, and every one present must take good heed to dodge it when it swings, else it may box his ears and pitch him headlong overboard.

One of the attending harpooneers now advances with a long, keen weapon called a boarding-sword, and watching his chance he dexterously slices out a considerable hole in the lower part of the swaying mass. Into this hole, the end of the second alternating great tackle is then hooked so as to retain a hold upon the blubber, in order to prepare for what follows. Whereupon, this accomplished swordsman, warning all hands to stand off, once more makes a scientific dash at the mass, and with a few sidelong, desperate, lunging slicings, severs it completely in twain; so that while the short lower part is still fast, the long upper strip, called a blanket-piece, swings clear, and is all ready for lowering. The heavers forward now resume their song, and while the one tackle is peeling and hoisting a second strip from the whale, the other is slowly slackened away, and down goes the first strip through the main hatchway right beneath, into an unfurnished parlor called the blubber-room. Into this twilight apartment sundry nimble hands keep coiling away the long blanket-piece as if it were a great live mass of plaited serpents. And thus the work proceeds; the two tackles hoisting and lowering simultaneously; both whale and windlass heaving, the heavers singing, the blubber-room gentlemen coiling, the mates scarfing, the ship straining, and all hands swearing occasionally, by way of assuaging the general friction.


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CHAPTER 1. Loomings.

CHAPTER 2. The Carpet-Bag.

CHAPTER 3. The Spouter-Inn.

CHAPTER 4. The Counterpane.

CHAPTER 5. Breakfast.

CHAPTER 6. The Street.

CHAPTER 7. The Chapel.

CHAPTER 8. The Pulpit.

CHAPTER 9. The Sermon.

CHAPTER 10. A Bosom Friend.

CHAPTER 11. Nightgown.

CHAPTER 12. Biographical.

CHAPTER 13. Wheelbarrow.

CHAPTER 14. Nantucket.

CHAPTER 15. Chowder.

CHAPTER 16. The Ship.

CHAPTER 17. The Ramadan.

CHAPTER 18. His Mark.

CHAPTER 19. The Prophet.

CHAPTER 20. All Astir.

CHAPTER 21. Going Aboard.

CHAPTER 22. Merry Christmas.

CHAPTER 23. The Lee Shore.

CHAPTER 24. The Advocate.

CHAPTER 25. Postscript.

CHAPTER 26. Knights and Squires.

CHAPTER 27. Knights and Squires.

CHAPTER 28. Ahab, Captain.

CHAPTER 29. Enter Ahab; to Him, Stubb.

CHAPTER 30. The Pipe.

CHAPTER 31. Queen Mab.

CHAPTER 32. Cetology.

CHAPTER 33. The Specksnyder.

CHAPTER 34. The Cabin-Table.

CHAPTER 35. The Mast-Head.

CHAPTER 36. The Quarter-Deck.

CHAPTER 37. Sunset.

CHAPTER 38. Dusk.

CHAPTER 39. First Night Watch.

CHAPTER 40. Midnight, Forecastle.

CHAPTER 41. Moby Dick.

CHAPTER 42. The Whiteness of The Whale.

CHAPTER 43. Hark!

CHAPTER 44. The Chart.

CHAPTER 45. The Affidavit.

CHAPTER 46. Surmises.

CHAPTER 47. The Mat-Maker.

CHAPTER 48. The First Lowering.

CHAPTER 49. The Hyena.

CHAPTER 50. Ahab's Boat and Crew. Fedallah.

CHAPTER 51. The Spirit-Spout.

CHAPTER 52. The Albatross.

CHAPTER 53. The Gam.

CHAPTER 54. The Town-Ho's Story.

CHAPTER 55. Of the Monstrous Pictures of Whales.

CHAPTER 56. Of the Less Erroneous Pictures of Whales, and the True

CHAPTER 57. Of Whales in Paint; in Teeth; in Wood; in Sheet-Iron; in

CHAPTER 58. Brit.

CHAPTER 59. Squid.

CHAPTER 60. The Line.

CHAPTER 61. Stubb Kills a Whale.

CHAPTER 62. The Dart.

CHAPTER 63. The Crotch.

CHAPTER 64. Stubb's Supper.

CHAPTER 65. The Whale as a Dish.

CHAPTER 66. The Shark Massacre.

CHAPTER 67. Cutting In

CHAPTER 69. The Funeral.

CHAPTER 70. The Sphynx.

CHAPTER 71. The Jeroboam's Story.

CHAPTER 72. The Monkey-Rope.

CHAPTER 73. Stubb and Flask Kill a Right Whale; and Then Have a Talk

CHAPTER 74. The Sperm Whale's Head—Contrasted View.

CHAPTER 75. The Right Whale's Head—Contrasted View.

CHAPTER 76. The Battering-Ram.

CHAPTER 77. The Great Heidelburgh Tun.

CHAPTER 78. Cistern and Buckets.

CHAPTER 79. The Prairie.

CHAPTER 80. The Nut.

CHAPTER 81. The Pequod Meets The Virgin.

CHAPTER 82. The Honour and Glory of Whaling.

CHAPTER 83. Jonah Historically Regarded.

CHAPTER 84. Pitchpoling.

CHAPTER 85. The Fountain.

CHAPTER 86. The Tail.

CHAPTER 87. The Grand Armada.

CHAPTER 88. Schools and Schoolmasters.

CHAPTER 89. Fast-Fish and Loose-Fish.

CHAPTER 90. Heads or Tails.

CHAPTER 91. The Pequod Meets The Rose-Bud.

CHAPTER 92. Ambergris.

CHAPTER 93. The Castaway.

CHAPTER 94. A Squeeze of the Hand.

CHAPTER 95. The Cassock.

CHAPTER 96. The Try-Works.

CHAPTER 97. The Lamp.

CHAPTER 98. Stowing Down and Clearing Up.

CHAPTER 99. The Doubloon.

CHAPTER 100. Leg and Arm.

CHAPTER 101. The Decanter.

CHAPTER 102. A Bower in the Arsacides.

CHAPTER 103. Measurement of The Whale's Skeleton.

CHAPTER 104. The Fossil Whale.

CHAPTER 105. Does the Whale's Magnitude Diminish?—Will He Perish?

CHAPTER 106. Ahab's Leg.

CHAPTER 107. The Carpenter.

CHAPTER 108. Ahab and the Carpenter.

CHAPTER 109. Ahab and Starbuck in the Cabin.

CHAPTER 110. Queequeg in His Coffin.

CHAPTER 111. The Pacific.

CHAPTER 112. The Blacksmith.

CHAPTER 113. The Forge.

CHAPTER 114. The Gilder.

CHAPTER 115. The Pequod Meets The Bachelor.

CHAPTER 116. The Dying Whale.

CHAPTER 117. The Whale Watch.

CHAPTER 118. The Quadrant.

CHAPTER 119. The Candles.

CHAPTER 120. The Deck Towards the End of the First Night Watch.

CHAPTER 121. Midnight.—The Forecastle Bulwarks.

CHAPTER 122. Midnight Aloft.—Thunder and Lightning.

CHAPTER 123. The Musket.

CHAPTER 124. The Needle.

CHAPTER 125. The Log and Line.

CHAPTER 126. The Life-Buoy.

CHAPTER 127. The Deck.

CHAPTER 128. The Pequod Meets The Rachel.

CHAPTER 129. The Cabin.

CHAPTER 130. The Hat.

CHAPTER 131. The Pequod Meets The Delight.

CHAPTER 132. The Symphony.

CHAPTER 133. The Chase—First Day.

CHAPTER 134. The Chase—Second Day.

CHAPTER 135. The Chase.—Third Day.








Moby Dick is the antogonist in this story of a great white 'bull' sperm whale that fought back at whalers who tried to harpoon him.


The idea came to Herman Melville after he spent time on a commercial whaler, where stories abounded of the sinking of the Essex in 1821 and Mocha Dick, a giant sperm whale that sank around 20 ships, before being harpooned in 1838.


Herman realised how fixated the sailors became, and he also became with the thought that there was a whale that nobody could catch, that represented a real risk to the whalers hunting whales, in that it was more sport than commercial operations.


Without any doubt this is one of the greatest novels coming out of America at this time and way off the beaten track, making it so interesting, reflecting the state of whaling and the economic importance in the developing the nation - giving the general public a taste of something adventurous that most people never think about.


Many films and graphic novel adaptations have been inspired by the writings of Herman Melville, from Marvel and Disney comics with good cause.


One such production in 2020 is a graphic novel about a giant humpback whale called Kulo Luna, that sinks a modern whaling boat, much as depicted in Herman Melville's Moby Dick, except that is this day and age whales have explosive harpoons to contend with, and sonar, from which there is no escape.




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